Tutorials
How to Use Vidu Q3 Start-End Frame Control to Generate Transition Shots
Start-End to Video control fits scenarios where you already have clear designs for the first and last frames, such as product rotation showcases, a door opening to an interior panorama, or a character rising from a seated to standing pose.
1. Prepare two keyframes with complementary information
Aim for:
- Consistent framing direction: e.g., all eye-level or slightly top-down;
- Consistent light direction: avoid cold light at the start and warm light at the end, which can make the middle transition feel unnatural;
- Controllable subject movement: the displacement between start and end should stay within physical intuition.
2. Describe what happens in between in your prompt
Add a short paragraph in the prompt describing the key events between start and end:
- How the product rotates and how reflections sweep across the logo;
- Micro-expression changes as a character moves from emotion A to emotion B;
- Whether the cut is a hard cut or continuous motion.
Tip: For a more cinematic feel, explicitly include camera terms like “slow push-in” or “subtle handheld feel.”
3. Combining with 16-second long shots
With Vidu Q3 supporting up to 16 seconds at 1080P, you can:
- Use start-end frame control for key transitions;
- Reserve ambient sound and dialogue pacing for the segments before and after in the same prompt.
If you are not yet familiar with 16-second narrative splitting, start with “How to Get Started with Vidu Q3 Fast: From Prompt to 16-Second Clip.”
4. Connecting to the one-click ad workflow
For strong marketing use cases, start-end frame control can be combined with the Vidu Agent workflow: let Agent produce a rough cut first, then refine key transitions with start-end frames. For more details, see the blog post “Vidu Agent One-Click Ad Workflow: From Storyboard to Multilingual Voiceover.”
Notes
- When start and end frames differ too much, the middle transition may feel “jumpy”—add more transition event description.
- If the scene involves real brand stores or product packaging, ensure assets and authorization are in place.
Treat start-end frame control as a tool for shot-level keyframe animation, not simple interpolation, and you will more easily get deliverable final clips.